Simon J. Sluis is an 87 year old Dutchman about to marry a younger (72 years old) Lidy Klees (my wife’s cousin). We were invited to their wedding in Laren, a small and select township to the east of Amsterdam.
Simon (pronounced Seemon) is all that a prosperous Dutchman should be – with a name translated as sluice (plenty in Holland), of patrician stature, a plant and seedsman of world renown, and congenial.
He and I had spoken of plants several times before. I remember him telling me that most modern climbing French beans have Blue Lake in their ancestry. So I continue to plant Blue Lake in England, and with confidence (not buying his seeds – though perhaps so initially – but saving my own, as it is not an F1 Hybrid).
It has been our custom to either go by air or car to Holland. This time, we did not intend to return laden with foreign goodies, and chose to travel by rail – Eurostar from London to Brussels and then Thalys train on to Amsterdam.
The Singel Hotel, on a canal and fairly near to Amsterdam’s Central Station, has at times been a convenient base for us when visiting that magical city – one where only to turn one’s head never fails to reveal yet further architectural gems. But the hotel’s rooms have been a bit on the seedy side. Learning that these had now been refurbished, we chose to book in once more.
The contrasts on our rail trip to Amsterdam were considerable.
At Eurostar, St Pancras, we were funnelled into a large and light basement where we refreshed ourselves, sitting on comfortable chairs, surrounded by a plethora of Victorian cast iron columns that still continue to hold up the railway platforms above.
So clean and tidy was it that the hot chocolate that I bought to help while away the time was whisked from a table top by an over-enthusiastic cleaner when my back was turned.
With sunshine outside we made our way to the Eurostar platform above, where the fine span of the old St Pancras iron-arched covering was gleaming in its fresh coat of paint and cleaned glass.
To change trains in a rather dreary and rainy station in Brussels was not as easy to master. A café snack there took such an age to acquire that it was a close run thing to board the Thalys train to Amsterdam on time.
From the dirty carriage windows the flat and rainy landscape of Belgium led inexorably to the flat and wet landscape of Holland. The train, designed for speed but going at a normal train’s pace, passed through small townships and over countless level crossings. At least the seating, though shabby, gave us more legroom than Eurostar, and had the edge over the latter by having a water supply for basins and lavatories – which is more than could be said for Eurostar. For luggage space, Eurostar was the better.
The strange part about going to Holland is that although our two countries have much in common and with many historical ties, it is a very foreign place. Even Margreet, who had not lived there for some 40 years, finds it so each time she returns.
You can walk along a most respectable canal street in Amsterdam and suddenly see an almost naked lady sitting in a floodlit window hoping for custom.
There are plenty of cannabis shops, selling a selection of seeds and all the accoutrements necessary for ingesting the several parts of that plant. The perfume of pot pervades the pavement air.
One wonders at the speed of cyclists on their designated paths who ride like the clappers and never collide with pedestrians, or one another.
And then you might pass Coffeeshops to see youths, drugged up to the eyebrows, reclining languidly in the windows.
As for the food on offer, the Dutch grub is, by tradition, substantial, filling, warming and, let’s be plain about it – plain.
So, to provide sophisticated cuisine to the now sophisticated Dutch, the cuisine from foreign parts is used and adapted to the Dutch idea of food (satay, for instance is made with lumps of meat, and schnitzels are thick).
At a “Dutch” restaurant recommended to us, we were offered an Italian type first course and a Thai style one for the main course.
And then, in a café afterwards, we ate a brownie and ice cream, the brownie bearing no resemblance whatsoever to the kind invented by the Americans, but was semi-toffee-liquid, with walnuts and a smidgen of normal brownie mix. It was delicious, yet one wouldn’t want to eat it again too often. (“Brownies”, incidentally, are also eaten – not to assuage hunger - in coffeeshops.)
Our hotel room was also uniquely Dutch. It was situated at the very top of a typical 17th century canal-side house, and approached via the hotel’s lift and an outside alleyway between a wall and tiled roof. Situated directly beneath a roof of dark tiles, the room’s inside consisted of a plethora of angles and planes that twisted and rose and fell in all directions. It was a bit like being inside a small diamond on which a cack-handed Amsterdam apprentice diamond-cutter had been having instruction. A small window at the side allowed a bit of light and air to enter, but a dormer window on one side would have offered a fine view of the Singel canal. I imagine that stringent building regulations prevented it – and probably rightly so.
So “Dutch” was this room that one felt very much as Amsterdam people must have felt for over three or four hundred years in a city where space in their prosperous community has always been at a premium.
The Dutch Reformed church for the wedding in Laren was unadorned and without an alter.
We arrived in the nick of time as the café waitresses nearby, where we had ordered drinks three times and they had failed to produce the goods, forced us to cancel. Being only just in time at the church, and with all pews seemingly packed tight, we were directed to the few seats in the very front of the congregation – when we would rather have been at the back.
The service was a long one, with the “vicar” having a great deal to say, taking relish in both his voice and the words he used. Understanding nothing (a position with which I am accustomed in Holland) I tried to look interested throughout (a tiring business).
The order of service had the music to hymns printed with the text.
The elderly groom and his bride were obviously in love, holding hands when they were able, kneeling centre stage toward a raised pulpit (unused during the service but surrounded by a very local choir).
Then came the reception at the nearby Ateliercafé Mauve, named after a famous artist from Laren (where all this took place).
We drank (well, I did) copiously, and ate bitterballen, one of the most delicious of Dutch snack/delicacies, consisting of crisp and crunchy balls containing a palate-burning mixture of creamy meat (horse, thought to be one of the best, but veal the most common) and eaten dipped in mustard.
As we were waiting for dinner, we continued to drink whatever we chose from waiters’ trays, under the efficient command of Yvette, the bride’s daughter-in-law.
It was during this dormant period of drinks between the reception and dinner that something delightful (to me) took place.
On our table, beneath the trees outside on a balmy late afternoon, was a round, blue vase containing campanula plants. I noticed a honeybee taking nectar from its blue flowers. Never before had I seen honeybees enjoying flowers in a vase. Word clearly got back to the hive that the nectar from our campanulas was tasty. So the bee’s fellow workers joined in to take advantage of what was on offer.
It was almost as if this was a gesture of celebration on the part of the hive, as our groom had made his fortune in horticulture, where bees had been the vital instruments for his pollinations.
Besides the charm of an elderly bride and groom, and the stylishness of their many guests, the red wine at the dinner was a Château Rocher Calon, merlot, from Montagne Saint-Emillion, the very same hamlet in the Bordeaux region where we had so recently enjoyed another lovely wedding.
That a single grape variety should be produced in Saint-Emillion was quite new to me, and very successful it was.
Kind relations, Dick and Reina, escorted us to the Hilversum railway station where a train soon transported us back to Amsterdam Central Station, where we made our way by foot to the nearby Singel Hotel.
If you are of the opinion that the Dutch railways are always highly efficient, think again.
On the following day we needed once more to return to Amsterdam Central from Hilversum, the station and surrounds of which were in a state of reconstruction.
To obtain a ticket it was necessary to use a machine – needing a credit card and a local’s considerable computer expertise.
We knew that the train would leave from platform 5, needing a double descent of stairs and one to climb – difficult for Margreet with one foot in a temporary surgical boot.
Having descended, we found that our intended platform had been taped off, in the way that a murder scene is taped off. Margreet, by now, was quite willing to commit some violence that might well have warranted a taping-off.
As there had been no indication whatsoever, in a notice or official’s guidance, that trains would not be leaving for Amsterdam from Hilversum at that time, we had to retrace our steps. We then learned that passengers for Amsterdam would have to take a local, stopping bus to Weesp, a station nearer to our destination. We were obliged to take it.
So, a normal 20 minute journey took over an hour, and we had had to descend and climb countless stairs pointlessly in the course of it.
It had been a most upsetting experience for Margreet, with a stress fracture in her foot.
On the advice of Tobias at the Dutch Embassy in London, we made our way to the rear of the Central Station in Amsterdam to the de Ruijterkade where (free) ferries leave for the far side of the very wide IJ (pronounced eye) river.
The one to take is for the destination IJ plein. This name will be marked up on an electronic signboard and on the back of the ferry.
From the ferry dock at IJ plein, you turn right to walk along the IJ riverbank to the Wilhelmina-Dok (sic), which is also called Caffé Tazza d’Oro. Here, on a sunny day or warm evening, you can sit (almost on the river) to drink and eat.
It is a lovely experience there to watch the commercial and private shipping pass by from a table in the open or under giant orange umbrellas – umbrellas that stand out so clearly, from both sides of the river, amid a setting of fairly drab utilitarian buildings.
On our final day in Amsterdam, we bought three kinds of cheese (brokkel oud, young white goat cheese from a cartwheel, and komijne), all unique to Holland, and headed back to England with our food gifts and having enjoyed such a pleasant and interesting visit.
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2 comments:
Hi there Jim, I met you on my grandfathers wedding. (in the front of the church ;-) )
Nice weblog you have here.
, I won't put you through reading mine as it is in Dutch. We share the love of food, wine and Amsterdam, but then again...wo doesn't :-)
Say hi to your lovely wife and perhaps we will meet again.
Wendelien Sluis Jr.
Hi Jim, What a surprise to come upon your description of Simon and Lidy's wedding. My husband whose name was also Simon Sluis was a first cousin to Simon J Sluis. My husband passed away in late 2007. Since then I have had little correspondence with Simon and Lidy since that time. My husband was ill at the time of their wedding so we were unable to travel to Holland for their wedding.
I thoroughly enjoyed your description of Amsterdam and your journey there. My husband owned a small hotel on the Singel during the 1960s called Hotel Anya. The building is now occupied by offices of some sort, architects, I believe. My husband and I met in Seattle WA, USA in 1973 and married a two years later. We traveled to Holland frequently to visit his family and to get our "fix" of civilization before returning the U.S. every two years. We moved to a small island across the bay from Seattle and there we lived till my husband's death, November 2007. I miss our travels to Holland but do have my memories of them which I hold in my heart.
Thanks for your blog... I'll browse around your pages and visit your art. I wrote Simon some time ago asking him for help identifying an artist who my husband's father, Pieter Sluis, commissioned to paint a street scene in Enkhuizen. I've not heard from him and am wondering if he is ill or perhaps my letter never arrived at his stoop. I do hope he and Lidy are well.
Thanks again for your wonderful description of your journey.
Penny Sluis
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